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How To Animate Drawings In After Effects

Give new life to a map created in Adobe Illustrator by applying path animation techniques and icon reveals in Adobe After Effects.

Man touches a computer screen featuring a map around the New York Stock Exchange.

What you'll need

This sample file is an Adobe Stock asset you lot can use to practice what yous acquire in this tutorial. If y'all desire to employ the sample file beyond this tutorial, you lot can purchase a license on Adobe Stock. Check out the ReadMe file in the binder for the terms that utilize to your use of this sample file.

An blithe map makes information technology easier to encounter how to become from point A to point B. We took a map created in Illustrator and traced a taxi route in After Effects. Experiment with our sample map of Lower Manhattan or use your own design. For best results, the Illustrator document should be twice the size of the After Furnishings comp.

Brand sure the line representing the route y'all want to animate is independent on its own layer in Illustrator. If it's a solid line, yous tin continue to the adjacent department. Yet, if the line has a pattern, such every bit the checkerboard in our sample, you'll starting time need to re-create that layer and utilize it as a mask. With the patterned line layer selected, choose Duplicate from the Layers panel menu and and so double-click the copy and suspend "mask" to the proper name. Press Shift+F6 to open up the Appearance panel. Select the duplicate line path in the artwork and delete its design manner by clicking the Articulate Appearance button at the lesser of the panel. In its identify, make the stroke a bright color (it'due south temporary) and cull a large size, perhaps greater than 5 points, so it stands out. Save the file — but keep it open for after — while you lot switch over to After Effects.

Map is open in Adobe Illustrator. Layers panel is open to ensure that the map route is on its own layer.

In After Effects, cull File > Import > File and import the Illustrator file equally Composition - Retain Layer Sizes. Correct-click the line's mask layer and cull Create > Create Shapes From Vector Layer. Drill down into the newly added Outlines layer. Next to Contents, click Add and cull Trim Paths from the menu. Movement the playhead to the first of the comp, expand Trim Paths 1, and set an End keyframe at 0%. Now motility the playhead to the end of the comp and set another Stop keyframe at 100%. Delete the original line mask layer. On the line layer, change Rail Matte from None to Blastoff Matte, referencing the Outlines layer above it. (Toggle the Switches/Modes button if you don't meet the Track Matte options.) The patterned line replaces the brightly colored, temporary line yous created earlier.

Map file is imported into After Effects. Trim paths, beginning and ending keyframes are added.

No matter what object you're animative on the map (ours shows a taxi cab), you lot'll want to select the layer containing that object and cull Layer > Transform > Auto-Orient from the main menu. In the Car-Orientation dialog box, select Orient Along Path and click OK. Switch over to Illustrator, select the patterned line layer in the artwork, and choose Edit > Copy. Return to After Furnishings and position the playhead at the outset of the comp. Select the Taxi Cab layer and printing P to expose Position. Now select the Position parameter itself and choose Edit > Paste to paste the path points equally keyframes. Concord the Pick/Alt button while dragging the terminal keyframe in the serial — keeping them all selected (bluish) — until you accomplish the finish of the comp. Doing this retains their relative positions and makes the taxi move at the same pace as the patterned line. Finally, in the Composition panel, select one of the points in the pasted path'southward outline and reposition information technology over its proper location on the map. You lot may need to increase the Zoom level to become it right. Play the comp and watch the taxi move along the defined path and leave the patterned line behind it. If necessary, press R on the Taxi Cab layer and change the Rotation value so the auto faces forward.

A taxi is selected for animation. Layer > Transform > Auto-Orient > Orient Along Path is chosen. Copy/paste Illustrator path

Brand the urban center landmark labels pop upward equally the taxi passes them. For each label's layer, aggrandize Transform and set keyframes for Scale over a brief timespan, such every bit a dozen frames. If you want to rotate it besides, start ready the Anchor Bespeak away from the label's shape so that when you keyframe Rotation, the label will appear to swing into view rather than only rotate in identify. In the Timeline panel, trim the left edge of the label's layer and move its position left and correct to accurately time the appearance of the landmark'southward label with the car'south arroyo. Finally, select all layers, toggle the Switches/Modes button if necessary, and click anywhere in the Continuously Rasterize column in the Timeline (side by side to Shy) to actuate that style.

Keyframes scaled over twelve frames and rotated anchor points make labels rotate and pop into view as the taxi passes.

Make a movie that zooms in on the map and follows the taxi (or whatsoever object you use) as information technology winds its fashion around town. Make a new comp by dragging the map comp to the New Comp button in the Projection panel. Click Continuously Rasterize to toggle that mode on. Keyframe the Position and Calibration values to simulate a photographic camera zooming in on the animated map and post-obit the moving vehicle or map path. Select the keyframes and press F9 to apply Easy Ease to them and brand the blitheness smoother.

Keyframe the Position and Scale values to simulate a camera zooming in and following the taxi on the animated map.

Experiment with making the cab follow a different route and add new landmarks to enhance your bird's-center view of the blithe map.

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Source: https://helpx.adobe.com/after-effects/how-to/map-animation.html

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